SK Films

SK Films

@shakibkhanofficial

Shakib Khan (Bengali: শাকিব খান) is national award-winning actor in the Bangladeshi film industry. He made his debut in Ananta Bhalobasha (1999), though it did not lead to widespread fame. Shortly after a few years, Khan established himself as one of the most successful actors in Bengali Cinema. In his career, Khan has received various awards, including three National Film Awards for Best Actor, for Bhalobaslei Ghor Bandha Jay Na (2010), Khodar Pore Ma (2012), and Aro Bhalobashbo Tomay (2015) and Eight Meril Prothom Alo Awards. Beside this career, Shakib is also a producer. His first produced movie was Hero: The Superstar under his own banner SK films. Now movie “Password” is making from SK film.

1.73M

Subscribers

379.8M

Total views

96

Videos

Avg views (30d)

as of 2026-05-11

Integrated video price

Algorithmic estimate

Low

$1,495

Typical

$2,491

High

$3,737

Range is the pure algorithmic estimate from audience size, niche CPM, geo and format multipliers. How this works →

Pricing model

Algorithmic estimate

Pure algorithmic estimate, $1,495 – $3,737 per integrated placement. No community data points yet. See methodology →

About SK Films

SK Films, operated by Shakib Khan, is a YouTube channel centered on entertainment content from a nationally recognized actor in the Bangladeshi film industry. Shakib Khan has built a career spanning multiple decades, marked by critical recognition including three National Film Awards for Best Actor—for Bhalobaslei Ghor Bandha Jay Na (2010), Khodar Pore Ma (2012), and Aro Bhalobashbo Tomay (2015)—and eight Meril Prothom Alo Awards. His film debut came in Ananta Bhalobasha (1999), though mainstream recognition followed several years later as he established himself as one of Bengali cinema's most successful performers. Beyond acting, Khan has expanded into film production. The YouTube channel reflects this entertainment background, aggregating content related to his work and industry presence. The channel has published 96 videos and accumulated 379,820,726 total views, indicating sustained audience engagement over its operational history. The creator operates from the United States, though the content and career foundation are rooted in Bengali-language cinema and South Asian entertainment markets.

SK Films's estimated sponsorship rates

SK Films commands a typical integrated video rate of $2,491, with a range from $1,495 (low) to $3,737 (high) for YouTube placements. This pricing reflects the channel's high audience tier classification, driven by a subscriber base of 1,730,000. The rate estimate is algorithmic, calibrated against the creator's niche CPM profile within the entertainment category and YouTube's platform-specific engagement multipliers. Peer creators at similar subscriber counts—including Bora Kontaş (1,730,000 subs), THE SECRET YOUTUBER (1,750,000 subs), and Điêu Thuyền Review (1,710,000 subs)—operate within comparable pricing bands, though individual rates vary based on audience composition, geographic distribution, and content format. The entertainment niche typically supports moderate CPM rates relative to finance or technology verticals, but the channel's established audience size and production quality position it in the upper-middle range for its category. Brands seeking integrated placements should expect negotiation within the stated range depending on campaign scope, exclusivity terms, and content integration depth.

Who should partner with SK Films?

The channel reaches 1,730,000 subscribers, with a cumulative view history of 379,820,726 across published content. The audience composition reflects the creator's background in Bengali cinema and South Asian entertainment, suggesting concentration among viewers interested in film industry news, actor content, and entertainment commentary. Relevant brand categories for partnership include film and entertainment production companies, streaming platforms focused on South Asian content, entertainment news outlets, and consumer brands targeting South Asian diaspora audiences in North America and internationally. The subscriber base's engagement with entertainment-focused content indicates receptiveness to sponsorships from entertainment technology platforms, film distribution services, and lifestyle brands aligned with cinema culture. Given the creator's established reputation and award recognition, the audience likely skews toward adult demographics with disposable income and interest in quality film content. Peer channels like Amazon Prime Video France (1,790,000 subs) and CJ ENM Global (1,670,000 subs) operate in overlapping entertainment spaces, though SK Films' specific positioning within Bengali cinema creates a distinct audience segment less directly competitive with Western entertainment aggregators.

SK Films's growth and performance

The channel snapshot data spans only one day (May 11, 2026), with subscriber count holding steady at 1,730,000 between the first tracked date and the latest snapshot. This single-point measurement provides insufficient data to characterize growth trajectory, acceleration, or seasonal patterns. Average view counts for the last 30 days are not yet available in the tracking history. To establish meaningful growth analysis, longer-term data collection across multiple months would be required to identify subscriber acquisition rates, view velocity trends, and content performance patterns.

How our pricing estimate works for SK Films

The rate estimate derives from an algorithmic model incorporating subscriber count (1,730,000), niche-specific CPM benchmarks for the entertainment category, and YouTube platform-specific multipliers for integrated video placements. The model does not yet include community-reported rates or historical negotiated pricing data from this creator, as indicated by zero calibration data points. For a detailed explanation of how CPM tiers, audience geography, format adjustments, and platform coefficients combine to produce the low, typical, and high estimates, see the /methodology page. All figures represent estimates and should be treated as reference points rather than guaranteed pricing; actual rates depend on campaign specifications, negotiation, and current market conditions.