KINOKOS
@kinokos· YouTube·Entertainment·Kazakhstan· data refreshed 2026-11-08View channel ↗- Subscribers
- 1.86M
- Average views
- 555.5K last 25 videos
- 90-day growth
- +0.0%
- Brand partners seen
- 0
The least a brand should pay for a dedicated video here:
$•,•••| Integration (60–90 s) | $••• |
|---|---|
| Short / Reel | $••• |
- ☐ Owns the channel
- ☐ Reach matches real views
- ☐ No fraud record
- ☐ Category is accurate
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About KINOKOS
KINOKOS (@kinokos) is an entertainment creator on YouTube based in Kazakhstan, with 1.86M subscribers, 934.2M total views and 753 videos.
Партнер Adisom Реклама и сотрудничество: https://vk.com/adisom Номер РКН: № 4777773061 Персональная страница РКН: https://knd.gov.ru/license? id=67370b9923bfbf2cbf42c4d4®istryType=bloggersPermission Обзор фильмов со стороны нелогичного поведения персонажей, стёб, уха-ха-ха, и прочие киноприкалюли Эксклюзивные обзоры: https://boosty.to/kinokos Тик-Ток: @kinokos_official Дизайнер превью: https://vk.com/id363529714 Реклама на канале: https://vk.com/club122717706
The channel specializes in film and movie reviews delivered through a comedic lens, focusing on character behavior analysis, satire, and humorous commentary on cinema. The creator's approach emphasizes absurdist humor and unconventional perspectives on film narratives.
The channel operates under partnership with Adisom, a talent and advertising agency, with business inquiries directed through. KINOKOS maintains a presence across multiple platforms including TikTok (@kinokos_official) and offers exclusive content through Boosty. Collaboration opportunities and sponsorships are coordinated through the Adisom agency network, with dedicated contacts for design and promotional partnerships.
Who should partner with KINOKOS?
The audience is concentrated in Russian-language markets, particularly Kazakhstan and the broader post-Soviet region, based on the creator's registration status and agency partnerships.
The channel's content focus on movie reviews with emphasis on character behavior, satirical commentary, and absurdist humor attracts viewers seeking alternative film criticism outside mainstream media. This positions the audience as entertainment-focused but analytically inclined, likely receptive to brands in film and media distribution, streaming platforms, entertainment merchandise, and comedy-adjacent consumer products.
Brand categories with demonstrated alignment include film studios, streaming services, entertainment technology platforms, and comedy-related consumer goods. The creator's exclusive content tier (Boosty) and formal agency representation indicate an audience willing to engage with premium and sponsored content.