NOMI JUTT MUSIC
@nomijuttmusic
THIS IS MY OFFICIAL YOUTUBE CHANNEL . SUBSCRIBE & SHARE FOR NEW SONGS. MANGER NUMBER = 00971588026041 BIG LOVE BIG RESPECT ♥️ USTAD SIDHU MOOSEWALA BIG BROTHER MR PATTLO
526K
Subscribers
110.7M
Total views
30
Videos
—
Avg views (recent)
not yet captured
About NOMI JUTT MUSIC
NOMI JUTT MUSIC is a music creator based in Pakistan operating on YouTube with 526,000 subscribers and over 110.7 million total views across 30 published videos. The channel focuses on original music content in English, with a stated emphasis on new song releases. The creator maintains an active presence with direct contact information provided for management inquiries.
The channel's content strategy centers on music production and release, with subscriber growth and engagement driven through a combination of original material and community interaction. The creator acknowledges influences and collaborators within the music space, indicating participation in a broader creative network. With a subscriber base in the mid-tier range and substantial accumulated view count, the channel demonstrates sustained audience interest in its music catalog.
The channel operates under a straightforward growth model: new content publication paired with audience retention through subscription and sharing mechanics. The 110+ million view total reflects cumulative performance across the video library, indicating that individual releases have achieved varying levels of reach within the creator's audience and beyond.
NOMI JUTT MUSIC's estimated sponsorship rates
NOMI JUTT MUSIC's estimated sponsorship rate for an integrated YouTube video ranges from $821 to $2,051, with a typical rate of $1,368. This positioning reflects the creator's mid-tier audience classification and the economics of music-category content on YouTube.
Several factors shape this rate structure. Subscriber count of 526,000 places the channel at parity with direct peers—GALVAN REAL (527,000 subs), Bella Shmurda (523,000 subs), and MixiChill (518,000 subs) operate in the same subscriber band. However, music content typically commands lower per-view CPM rates than categories like finance, technology, or education, reflecting advertiser demand patterns and audience composition in the music vertical.
Geographic location in Pakistan and primary English-language content also influence the rate. Creators based in South Asia often see CPM rates lower than those in North America or Western Europe, though English-language content can partially offset this factor. The estimate is algorithmic and based on subscriber count combined with category-specific CPM multipliers; it does not incorporate real sponsorship data from the channel. Actual rates may vary based on brand fit, audience demographics, engagement metrics, and negotiation.
Who should partner with NOMI JUTT MUSIC?
NOMI JUTT MUSIC reaches an audience of 526,000 subscribers primarily interested in music content. The channel's audience tier classification places it among mid-sized music creators, comparable to peers including GALVAN REAL, Bella Shmurda, MixiChill, AQUI É FUNK, and Eden Hason—all operating within a 509,000 to 527,000 subscriber range.
The music category encompasses diverse brand partnership opportunities. Relevant sectors include music production software and hardware (DAWs, synthesizers, audio interfaces), music streaming platforms and distribution services, merchandise and apparel aligned with music culture, audio equipment (headphones, speakers, microphones), music education platforms, and lifestyle brands targeting music enthusiasts. Secondary opportunities exist in energy drinks, fashion, and entertainment services that frequently partner with music creators.
Audience composition reflects the channel's English-language content and Pakistan-based creator location, suggesting a geographically distributed listener base with English proficiency. The 110.7 million total views indicate that individual videos achieve reach beyond the core subscriber base, suggesting algorithmic distribution and cross-platform discovery. However, detailed demographic breakdowns—age, gender, geographic distribution, and interest categories beyond music—are not currently available in the tracked data. Brands considering partnership should request audience insights directly from the creator's management.
NOMI JUTT MUSIC's growth and performance
Growth tracking for NOMI JUTT MUSIC began on May 11, 2026, at 526,000 subscribers. The latest snapshot, also dated May 11, 2026, shows no change in subscriber count over the one-day observation window. This single-day span is insufficient to establish growth trajectory or rate. Average view counts for the last 30 days are not yet available in the dataset.
To assess meaningful growth patterns, longer historical data is required. The 110.7 million total views across 30 videos indicates cumulative performance, but without publication dates or view velocity data, the rate at which individual videos accumulate views cannot be determined. Prospective partners should request historical subscriber and view data directly from the creator to evaluate growth momentum and audience engagement trends.
How our pricing estimate works for NOMI JUTT MUSIC
The estimated sponsorship rate is calculated algorithmically using subscriber count, category-specific CPM (cost per thousand impressions) benchmarks, and platform/format multipliers. The formula accounts for the creator's position within the music category and adjusts for YouTube's integrated video format. This estimate does not incorporate actual sponsorship data from the channel—the basis is marked as metric_estimate with zero community data points, meaning the rate reflects category averages rather than observed deals.
For a detailed explanation of how CPM multipliers are applied, how geographic and language factors influence the estimate, and how the algorithm is calibrated as more real-world data is collected, see the /methodology page. Actual sponsorship rates depend on brand fit, audience quality, engagement metrics, negotiation, and market conditions at the time of inquiry. This estimate should be used as a reference point, not a fixed quote.