KOFFIOLOMIDIEU GOAT
@koffi.olomide
Antoine Christophe Agbepa Mumba, dit Koffi Olomidé, est né le 13 juillet 1956 à Stanleyville au Congo belge. Il est auteur-compositeur-interprète, producteur musical et polémiste de la République démocratique du Congo. Après ses débuts en tant que parolier pour divers musiciens de la scène congolaise, il se fait remarquer par le public en 1977 avec Synza, chantée en trio avec Papa Wemba et King Kester Emeneya. En 1986, il crée et dirige l'orchestre Quartier Latin International qui l'accompagne sur scène et sur ses albums à partir de 1992. L'orchestre verra passer dans ses rangs de futures stars de la musique tels que Fally Ipupa ou Ferre Gola. Sa carrière connaît un second rebond à partir de 1990 lorsqu'il rejoint Sonodisc. Sa carrière couvre près de cinq décennies. Il est le premier artiste noir-africain à remplir la salle de Bercy et l'un des 12 artistes musiciens africains à être cité dans les 1001 albums qu'il faut avoir écoutés dans sa vie.
670K
Subscribers
592.4M
Total views
124
Videos
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Avg views (recent)
not yet captured
About KOFFIOLOMIDIEU GOAT
Koffi Olomidé (Antoine Christophe Agbepa Mumba) is a Congolese singer-songwriter, music producer, and public figure born July 13, 1956 in Stanleyville, Belgian Congo. He operates the YouTube channel @koffi.olomide, which has accumulated 592,376,588 total views across 124 published videos and maintains 670,000 subscribers.
Olomidé began his career as a lyricist for Congolese musicians before gaining public recognition in 1977 with the song Synza, performed as a trio with Papa Wemba and King Kester Emeneya. In 1986, he founded and directed Quartier Latin International, the orchestra that has accompanied him on stage and studio recordings since 1992. The ensemble became a launching pad for numerous musicians who went on to establish independent careers.
His work spans composition, performance, and music production within the Congolese and broader African music landscape. The channel documents his musical output and career trajectory, serving as a primary digital archive of his recordings and performances. His content is published primarily in French, reflecting his base in France and francophone African audiences.
KOFFIOLOMIDIEU GOAT's estimated sponsorship rates
Koffi Olomidé's estimated rates for integrated YouTube video sponsorships range from $1,045 (low) to $2,613 (high), with a typical rate of $1,742. This mid-tier pricing reflects his subscriber base of 670,000 and positions him within the established music creator segment on YouTube.
Several factors influence his rate structure. His subscriber count aligns closely with direct peers in the music category—Ekdev Limbu, MAHESA Official, and Huan62 each maintain 675,000–680,000 subscribers—suggesting comparable market positioning. The music niche typically commands moderate CPM rates relative to finance or technology verticals, as audience monetization depends on listener geography and advertiser demand within entertainment sectors.
As a France-based creator with content in French, his audience composition likely includes francophone viewers across Europe and Africa, which can affect per-view rates compared to English-language or US-dominant channels. The estimate is algorithmic and does not reflect negotiated rates for specific campaigns. Actual pricing may vary based on content format, campaign duration, audience demographics, and direct negotiation with brand partners. For detailed methodology on how rates are calculated, see the rates methodology page.
Who should partner with KOFFIOLOMIDIEU GOAT?
Koffi Olomidé's audience of 670,000 subscribers is concentrated in the music category, with secondary interest in African music heritage, Congolese cultural content, and francophone entertainment. His 592,376,588 total views indicate sustained engagement across a back catalog of 124 videos, averaging approximately 4.78 million views per published work.
Brand categories aligned with this audience include music streaming platforms, African music distribution services, concert and live-event promoters, music education platforms, and heritage media organizations. Francophone music labels, pan-African entertainment networks, and cultural institutions focused on Central African music would find relevant audience overlap. Consumer electronics brands targeting music enthusiasts and audio equipment manufacturers may also align with listener interests.
The channel's geographic and linguistic positioning—France-based, French-language content—creates a distinct audience segment compared to English-language music creators. Peers such as MAHESA Official and Ekdev Limbu operate in similar subscriber ranges but may serve different geographic or genre-specific audiences. Koffi Olomidé's historical significance in Congolese music and his role in mentoring generations of musicians through Quartier Latin International attract both legacy audiences and researchers of African music history.
KOFFIOLOMIDIEU GOAT's growth and performance
Snapshot data spans only one day (May 12, 2026), with no measurable change in subscriber count during this period. The channel held 670,000 subscribers at both the first tracked date and latest snapshot. This single-day observation provides insufficient data to assess growth trajectory, velocity, or seasonal patterns. Average views over the last 30 days are not yet available in the tracking history. Longer-term growth analysis will require additional snapshot data collected over weeks or months.
How our pricing estimate works for KOFFIOLOMIDIEU GOAT
The estimated rate range ($1,045–$2,613, typical $1,742) is calculated algorithmically using subscriber count, niche CPM benchmarks for music content, and platform/format multipliers specific to YouTube integrated sponsorships. The estimate is not based on direct negotiation data or historical campaign pricing from this creator; it reflects zero community data points and serves as a market-rate reference for mid-tier music creators in this subscriber range.
The "mid" audience tier classification is derived from subscriber count relative to creator distribution across the platform. Rates are sensitive to audience geography, content language, and advertiser demand within the music vertical. Actual campaign pricing may differ significantly based on brand requirements, exclusivity terms, content performance, and direct negotiation. For a detailed explanation of the algorithmic model, rate multipliers, and CPM assumptions, see the /methodology page.