Fanny Tjandra
@fannytjandra
Welcome para adek online! Kuy kita bersenang-senang bersama! Kenalan yuk dengan follow sosmed aku! 🍑 Instagram: fannytjandra0121 🍑 Tiktok: fanny.tjandra dan fannytjandra.review 🍑 Channel keduaku: Fanny Tjandra TV 🍑 Zepeto: Fanny Tjandra (sylvette0121) 🍑 PK XD: Sylvette#000 🍑 Roblox: Sylvette0121 Aku tidak punya sosmed lain selain yang kusebut di atas ya, jadi jika ada yang mengaku sebagai aku di sosmed lain jelas itu palsu! :( Please email for any business inquiries thank you!
4.07M
Subscribers
1.88B
Total views
1.62K
Videos
—
Avg views (recent)
not yet captured
About Fanny Tjandra
Fanny Tjandra is an Indonesian entertainment creator with 4,070,000 YouTube subscribers and over 1.8 billion total views across 1,621 published videos. Operating primarily in Indonesian, her channel focuses on entertainment content aimed at a broad online audience. Her bio positions the channel as a casual, social space: "Welcome para adek online! Kuy kita bersenang-senang bersama!" (Welcome younger siblings online! Let's have fun together!). Beyond YouTube, Tjandra maintains an active presence across multiple platforms, including Instagram (@fannytjandra0121), TikTok (@fanny.tjandra and @fannytjandra.review), a secondary YouTube channel (Fanny Tjandra TV), and gaming platforms including Zepeto, PK XD, and Roblox. This multi-platform strategy reflects a creator ecosystem common among Indonesian entertainment personalities, where cross-posting and platform diversification extend audience reach and engagement. The creator explicitly warns followers that any social media accounts not listed in her official bio are impersonations. Business inquiries are directed to email contact. Her subscriber base and view history position her within the upper tier of Indonesian YouTube entertainment creators, comparable in scale to peers such as MHRAP (4,150,000 subs) and LUCCAS NETO VLOG (3,790,000 subs).
Fanny Tjandra's estimated sponsorship rates
Fanny Tjandra's estimated sponsorship rate for an integrated YouTube video ranges from $3,516 to $8,791, with a typical rate of $5,861. This pricing reflects her subscriber count of 4,070,000 and the entertainment category's niche CPM dynamics on YouTube. The rate estimate is algorithmic and based on platform multipliers and audience tier classification; it does not incorporate direct brand-deal history or negotiated rates. Several factors influence her positioning within this range: her audience size places her in the high tier relative to YouTube's creator distribution, and the Indonesian market context affects CPM benchmarks compared to English-language entertainment creators. Peers operating at similar subscriber scales—such as Billy Syahputra (4,400,000 subs), Star Wars (4,280,000 subs), and Paramount Pictures (4,320,000 subs)—typically command comparable rates, though variation occurs based on audience demographics, engagement metrics, and content format. Brands considering partnerships should note that actual negotiated rates may differ based on campaign scope, exclusivity terms, and audience alignment. For detailed methodology underlying the estimate, see the /methodology page.
Who should partner with Fanny Tjandra?
Fanny Tjandra's audience is primarily Indonesian-speaking, reflecting her content language and cultural positioning. With 4,070,000 subscribers and 1.8 billion total views, her reach spans entertainment-focused demographics, predominantly younger viewers aligned with her stated positioning as a casual, social entertainment space. The multi-platform presence—including TikTok, Instagram, and gaming platforms like Roblox and Zepeto—suggests an audience comfortable with short-form and interactive content formats beyond traditional YouTube videos. Brand categories suited to this audience profile include entertainment merchandise, gaming products, casual lifestyle brands, and platforms targeting younger Indonesian demographics. Comparable creators such as LUCCAS NETO VLOG (3,790,000 subs) and Billy Syahputra (4,400,000 subs) operate in overlapping entertainment niches, indicating a market segment receptive to personality-driven, entertainment-focused sponsorships. The creator's emphasis on cross-platform presence and gaming-platform activity suggests an audience with higher engagement in interactive and social entertainment formats. Audience composition data—including age distribution, gender breakdown, and geographic concentration beyond Indonesia—is not yet available in our tracking system. Brands should request detailed audience analytics directly from the creator for campaign targeting purposes.
Fanny Tjandra's growth and performance
Snapshot data for Fanny Tjandra covers a single day (May 12, 2026), with no measurable change in subscriber count during that period (4,070,000 subs at both first and latest tracking). This one-day span is insufficient to establish growth trends or velocity. Average view counts for the last 30 days are not yet available in our tracking history. To assess subscriber growth rate, audience momentum, and content performance trends, longer historical data is required. Interested parties should monitor this profile for updated snapshots as additional tracking data accumulates.
How our pricing estimate works for Fanny Tjandra
The estimated sponsorship rate is calculated algorithmically using subscriber count, niche CPM benchmarks for the entertainment category, and platform-specific multipliers for YouTube integrated video placements. The estimate does not incorporate direct brand-deal history, negotiated rates, or engagement metrics such as average views per video. It reflects a high audience tier classification based on subscriber scale. The basis is metric_estimate with zero community data points (no prior brand deals or creator-reported rates in our database). This means the estimate is derived entirely from algorithmic modeling and should be treated as a reference range rather than a guaranteed rate. Actual sponsorship fees depend on campaign specifics, audience demographics, content format, exclusivity, and negotiation. For a detailed explanation of CPM assumptions, platform multipliers, and tier classifications, visit our /methodology page.