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279K
Subscribers
156.5K
Average views
across 15 recent videos
56%
Reach quality
of subscribers watch, on average
Above typical for mid-sized channels
Well above the mid median — this audience watches far more than most mid-sized channels.
10.4M
Total views
416
Videos
2026-09-27
Data updated
15-video sample
About 별별뷰티-Byul Byul Beauty / 얼라이브 뷰티
별별뷰티-Byul Byul Beauty / 얼라이브 뷰티 (@byulbyulbeauty) is a beauty creator on YouTube based in South Korea, with 279K subscribers, 10.4M total views and 416 videos.
🌟코스메틱 트렌드를 만들다, 별별뷰티🌟 📷별별뷰티 배우 이여진과 함께하는 뷰티 리뷰, 🌟별별리뷰!🌟 AICOMPANY@B6Y0RF
The channel focuses on cosmetic trends and product reviews, positioning itself as a trendsetter in the beauty space. A notable element of the channel's format involves collaboration with actress Lee Yeo-jin, featured in a segment branded as "별별리뷰" (Byul Byul Review). The channel's bio emphasizes trend-setting within cosmetics, suggesting a focus on identifying and evaluating emerging products and techniques rather than exclusively tutorial or educational content. The channel operates in the mid-tier subscriber range for the beauty category, positioning it within a competitive but accessible segment of the Korean beauty YouTube ecosystem.
Who should partner with 별별뷰티-Byul Byul Beauty / 얼라이브 뷰티?
별별뷰티's audience is concentrated within the beauty category, with particular emphasis on cosmetic product reviews and trend analysis. The channel's collaboration with actress Lee Yeo-jin suggests an audience interested in celebrity-endorsed beauty content and professional makeup perspectives. The channel's positioning as a trend-setter implies the audience consists of early adopters and beauty enthusiasts seeking emerging product recommendations rather than foundational tutorials. Likely brand categories for sponsorship include cosmetics manufacturers, skincare lines, beauty-tech devices, makeup tools, and beauty subscription services. The Korean origin of the channel may also appeal to international brands interested in Korean beauty trends, a category with sustained global demand. However, without recent view-count history or engagement metrics, the current audience composition and activity levels remain partially unquantified.