4.89M
Subscribers
1.7B
Total views
2.31K
Videos
—
Avg views (30d)
as of 2026-05-12
Integrated video price
Algorithmic estimateLow
$4,577
Typical
$7,628
High
$11,443
Range is the pure algorithmic estimate from audience size, niche CPM, geo and format multipliers. How this works →
Pricing model
Algorithmic estimate
Pure algorithmic estimate, $4,577 – $11,443 per integrated placement. No community data points yet. See methodology →
About ATEEZ
ATEEZ operates the official YouTube channel for the South Korean music group of the same name. The channel hosts 2,311 videos and has accumulated 1,701,009,086 total views since its inception. With 4,890,000 subscribers, ATEEZ ranks among the largest music creator channels on YouTube. The channel serves as the primary digital distribution point for the group's music videos, performance content, and behind-the-scenes material. As an official artist channel rather than a fan-operated or third-party account, it functions as a core asset in the group's broader music and entertainment strategy. The channel's scale reflects sustained audience engagement across music releases and related video content over an extended publishing history.
ATEEZ's estimated sponsorship rates
Estimated partnership rates for integrated YouTube video placements range from $4,577 (low) to $11,443 (high), with a typical rate of $7,628. This pricing reflects ATEEZ's position in the high audience tier, driven by a subscriber base of 4,890,000 and the music category's typical cost-per-mille (CPM) benchmarks. Music content generally commands different CPM rates than other categories due to audience composition and advertiser demand patterns specific to the music industry. Peer creators at similar scale—including Lacrim (4,890,000 subs), R Nait (4,920,000 subs), and Pizza Music (4,830,000 subs)—operate in comparable pricing ranges. The estimate is algorithmic and does not account for variables such as content type (music video vs. lyric video), geographic audience concentration, or custom sponsorship terms that may apply to official artist channels. Actual rates should be confirmed directly with the channel.
Who should partner with ATEEZ?
ATEEZ's audience comprises 4,890,000 YouTube subscribers distributed across a music-focused creator category. The channel's total view count of 1,701,009,086 indicates sustained viewership across its 2,311 published videos. As an official music group channel, the audience likely includes dedicated fans of the group, K-pop enthusiasts, and general music listeners. Brands typically suited to partnership with music channels of this scale include music streaming platforms, audio equipment manufacturers, entertainment merchandise retailers, concert ticketing services, and lifestyle brands targeting music-engaged demographics. The channel's official status and consistent publishing history suggest a stable, recurring audience rather than episodic viewership. Comparable peers such as Lacrim and R Nait operate within the same subscriber range, indicating a well-established segment of music creators at this scale on YouTube.
ATEEZ's growth and performance
Growth data is limited to a single snapshot. ATEEZ was first tracked on 2026-05-12 at 4,890,000 subscribers, with the latest snapshot recorded on the same date, also at 4,890,000 subscribers. This represents a span of 1 day with no measured change. Average view counts for the last 30 days are not yet available. A longer observation period is needed to establish meaningful growth trends or volatility patterns for this channel.
How our pricing estimate works for ATEEZ
The estimated partnership rate is calculated algorithmically based on subscriber count, niche-specific cost-per-mille (CPM) benchmarks for the music category, and platform and format multipliers for YouTube integrated video placements. The estimate does not incorporate community data points or historical partnership pricing from this specific channel. For a detailed explanation of the pricing model, multiplier assumptions, and limitations, see the /methodology page. Estimates should be treated as indicative rather than prescriptive and may differ significantly from actual rates depending on content type, audience geography, seasonality, and direct negotiation.