ZanoRewind

About ZanoRewind

ZanoRewind is an Italian entertainment and gaming creator on YouTube with 778,000 subscribers and over 280 million total views across 1,323 published videos. The channel operates as a secondary platform, curating highlights from the creator's Twitch livestreams. The channel is registered in the AGCOM database, Italy's communications regulatory authority, indicating compliance with local broadcasting standards.

The creator's output model—repurposing live-stream content into edited video compilations—is a common strategy in gaming and entertainment, allowing creators to extend reach across multiple platforms and capture audiences who prefer on-demand viewing over live broadcasts. With a substantial back-catalog of over 1,300 videos, the channel has accumulated significant watch history, suggesting consistent audience retention and discoverability through YouTube's recommendation system.

The Italian origin and gaming-entertainment focus position the channel within a competitive but established segment of European creator content. The channel's dual-platform strategy (Twitch + YouTube) reflects modern creator economics, where audience fragmentation across streaming services makes multi-platform presence essential for revenue diversification and audience growth.

ZanoRewind's estimated sponsorship rates

ZanoRewind's estimated sponsorship rates for integrated YouTube video placements range from $1,120 (low) to $2,801 (high), with a typical rate of $1,867 per integrated mention. This mid-tier pricing reflects the creator's 778,000-subscriber base and positions the channel within the mid-audience tier classification.

The rate estimate is algorithmic, derived from subscriber count, niche CPM benchmarks for entertainment and gaming content, and YouTube platform multipliers. The basis reflects zero community-submitted pricing data points, meaning the estimate is calibrated entirely to historical niche performance rather than direct creator-reported rates.

Peers in the entertainment category—such as Christian Burgos Korea (777,000 subs), Woodmark (776,000 subs), and ألعاب حمودي (789,000 subs)—operate at comparable subscriber scales and would likely command similar rate ranges. Geographic factors (Italy vs. other markets) and content format (edited compilations vs. original productions) may introduce variance, but subscriber-count parity suggests pricing alignment within this tier.

Brand suitability typically extends to gaming hardware, esports platforms, energy drinks, streaming services, and entertainment software—categories with established CPM performance in the gaming and entertainment verticals. For precise rate negotiation, brands should contact the creator directly or consult InfluencerUnion's rate methodology documentation.

Who should partner with ZanoRewind?

ZanoRewind's audience is concentrated in the entertainment and gaming verticals, with a primary demographic likely skewing toward gaming enthusiasts aged 13–35 based on typical Twitch-to-YouTube highlight-reel consumption patterns. The 280 million total views indicate sustained audience engagement across a broad content library, though granular demographic and geographic breakdowns are not yet available in our dataset.

Brand categories with established fit include gaming hardware manufacturers, esports betting and tournament platforms, game publishers and digital storefronts, streaming software (OBS, Streamlabs), energy and beverage brands targeting gamers, and entertainment subscription services. The Italian origin may also appeal to brands with regional targeting in Italy or broader European markets.

The highlight-compilation format attracts viewers seeking curated, fast-paced entertainment—typically shorter attention-span audiences compared to full-length stream VODs. This format performs well with brands seeking high-velocity, entertainment-forward messaging rather than educational or long-form product demonstrations.

Comparable creators like Woodmark and Christian Burgos Korea operate in similar entertainment-gaming spaces at equivalent scale, suggesting audience overlap and competitive positioning. Without access to audience-composition analytics (age, gender, geography, interests), brand targeting should rely on direct outreach or YouTube's audience-insights tools to validate fit before campaign commitment.

ZanoRewind's growth and performance

ZanoRewind's subscriber count was 778,000 at the first tracked snapshot on 2026-05-12 and remained at 778,000 at the latest snapshot on the same date. The tracking span covers only one day, providing no meaningful growth signal. Average view counts for the last 30 days are not yet available in our dataset.

With a single data point and no historical velocity data, we cannot characterize growth trajectory, seasonality, or momentum. Longer-term tracking will be necessary to establish whether the channel is in a growth, plateau, or decline phase. The substantial back-catalog of 1,323 videos suggests the channel has been active for an extended period, but without dated upload history or multi-month subscriber snapshots, growth rate remains unquantified.

How our pricing estimate works for ZanoRewind

ZanoRewind's estimated sponsorship rates are calculated algorithmically using subscriber count (778,000), niche CPM benchmarks for entertainment and gaming content, and platform-specific multipliers for YouTube video integrations. The estimate does not incorporate direct creator-reported pricing, community submissions, or historical campaign data—all inputs are zero at this time.

The mid-tier audience classification is derived from subscriber-count distribution across the creator economy; this creator falls within the established range for mid-market influencers on YouTube. Rate ranges (low, typical, high) reflect variance in brand budget, campaign scope, and content placement prominence.

For a detailed explanation of CPM assumptions, platform multipliers, and the full algorithmic model, see the InfluencerUnion /methodology page. As community data accumulates—through creator submissions, brand reports, or platform partnerships—estimates will be recalibrated to reflect actual market rates. Current estimates should be treated as indicative benchmarks rather than fixed quotes.