SBM
@sbm_label
SBM. Największa niezależna wytwórnia muzyczna w Polsce. Label, festiwal, movement. Kontakt: kontakt@sbmlabel.pl Booking koncertów: patryk.bryk@sbmlabel.pl
3.46M
Subscribers
5.25B
Total views
1.7K
Videos
—
Avg views (30d)
as of 2026-05-11
Integrated video price
Algorithmic estimateLow
$3,239
Typical
$5,398
High
$8,096
Range is the pure algorithmic estimate from audience size, niche CPM, geo and format multipliers. How this works →
Pricing model
Algorithmic estimate
Pure algorithmic estimate, $3,239 – $8,096 per integrated placement. No community data points yet. See methodology →
About SBM
SBM is Poland's largest independent music label, operating as both a record label and cultural movement with a significant YouTube presence. The channel, managed under the handle @sbm_label, has accumulated 3,460,000 subscribers and over 5.2 billion total views across 1,695 published videos. The organization describes itself as "Największa niezależna wytwórnia muzyczna w Polsce" (Poland's largest independent music production company), positioning itself at the intersection of label operations, music festival curation, and broader movement-building within the Polish music ecosystem. Content on the channel reflects this multi-faceted role, spanning artist releases, festival documentation, and label-curated compilations. The channel operates primarily in Azerbaijani language content, serving both domestic Polish audiences and international viewers interested in Eastern European music production. SBM's scale within the independent music sector—particularly as a non-major-label entity—distinguishes it from traditional corporate music channels, making it a significant player in artist development and music distribution outside conventional industry structures.
SBM's estimated sponsorship rates
SBM's estimated rates for integrated YouTube video sponsorships range from $3,239 (low) to $8,096 (high), with a typical rate of $5,398. This positioning reflects the channel's high audience tier classification and the economics of music-category content on YouTube. The rate estimate is calibrated to the channel's 3,460,000 subscriber base combined with music-niche CPM benchmarks and YouTube's standard format multipliers. Music channels typically command lower per-view CPMs than finance, technology, or business content, but SBM's scale and audience concentration in Poland—a mid-tier European market—create a stable foundation for brand partnership pricing. Peer creators at similar subscriber counts, including ACV Entertainment (3,440,000 subs), Laufey (3,420,000 subs), and MERO (3,560,000 subs), occupy comparable rate ranges. Brands targeting music audiences, independent artists, music-tech platforms, and festival-adjacent consumer goods (merchandise, audio equipment, ticketing services) represent the primary demand drivers for SBM's inventory. The estimate is algorithmic and based on publicly available metrics; actual rates may vary based on audience demographics, engagement patterns, and campaign scope.
Who should partner with SBM?
SBM's 3,460,000-subscriber base comprises music enthusiasts with demonstrated interest in independent label operations, artist development, and Eastern European music culture. The channel's primary language setting (Azerbaijani) alongside its Polish operational base suggests a dual-market reach spanning Central/Eastern European audiences and diaspora communities. Total accumulated views of 5.2 billion indicate sustained audience engagement across a deep catalog of 1,695 videos, suggesting a mix of evergreen artist content and time-sensitive festival or release announcements. Relevant brand categories for this audience include music production software and hardware, artist management platforms, music distribution services, concert ticketing platforms, music education and production courses, audio equipment manufacturers, and merchandise fulfillment services. Secondary opportunities exist in lifestyle and apparel brands seeking association with independent music culture, as well as streaming platforms and music-tech startups targeting creator and label partnerships. The audience tier classification (high) reflects both absolute subscriber count and the concentration of music-industry decision-makers and active music consumers within SBM's viewership. Peer channels like Laufey and ACV Entertainment serve comparable demographics, though SBM's positioning as a label rather than individual artist creates distinct partnership opportunities around multi-artist campaigns and label-level integrations.
SBM's growth and performance
SBM's subscriber count was recorded at 3,460,000 on the first tracked date (May 11, 2026) and remained at 3,460,000 as of the latest snapshot on the same date. The tracking span covers only one day, providing insufficient data to assess growth trajectory, seasonal patterns, or longer-term subscriber acquisition trends. Average view counts for the last 30 days are not yet available in the dataset. To establish meaningful growth analysis, additional snapshot data across weeks and months would be required. The channel's 5.2 billion total views and 1,695 published videos suggest sustained historical performance, but current growth velocity cannot be determined from the available information.
How our pricing estimate works for SBM
SBM's estimated sponsorship rates are calculated algorithmically using a model that combines subscriber count (3,460,000), niche-specific CPM benchmarks for music content, and platform/format multipliers specific to YouTube integrated video sponsorships. The estimate does not rely on direct historical pricing data from brand partnerships (zero community data points are available), so it is based entirely on structural metrics and category-level economics. The low, typical, and high range reflects variance in audience engagement quality, geographic CPM variation, and campaign scope assumptions. For a detailed explanation of the CPM multipliers, platform adjustments, and methodology calibration, see the /methodology page. Actual rates for specific campaigns may differ based on factors including audience demographics, historical engagement metrics, content category, advertiser budget, and negotiated terms. This estimate should be treated as a market reference point rather than a binding quote.